|
|
|
|
|
To make this next section easier, I will point out some of my more egotistical moments with an e factor of, say, 1 to 5. |
|
|
|
kind of traps you. Perhaps
the most significant, albeit recent, discovery I have made (e=3)about creative
writing is you don't really
ever know how you do it. If you are writing news articles or interviews, then how you will
write can be determined by a simple formula using what the focus of the magazine is about(and
therefore the interests of the reader) and the subject matter you are dealing with: If you are writing for the Wall Street Journal, and you want to talk about the high Dow Jones average, you are going to answer simple questions like: How high is it? How high was |
|
it before? Is it gonna
get higher, or go lower? The same questions you asked last year when you wrote about
how low the Dow Jones average was.
It's what your reader wants to know.(e=2) |
|
don't know who was surprised,
though. I mean, top dog hollywood writers got 4 million to come up with 'Showgirls', so in
a relative sense, it doesn't seem like that much of a challenge: (beep, oop ork- Cannonball Run III, replace Burt Reynold with George Clooney. Make Don Deluises' character a drag queen.) Hopefully they will release a patch for the program that will remove the "...and a meteor hit the earth" variable.... |
|
|
|
This chapter has wandered so far off topic the only way I can save it is to start again. |